|Idea and Creation||Comediants|
|Assistant to Director and Choreographer||Montserrat Colome|
|Set Designer||Jordi Bulbena|
|Drama Adviser||Jordi Prat|
|Image and Video||Banzai Studio|
|Lighting Designer||Albert Faura|
|Actors||Angels Gonyalons, Meritxell Duro, Laia Oliveras, Jordi Llordella, Marc Pujol|
|Sound and Video Technician||Carles Punti|
|Machinists||Antoni Navarro Y Marc Fabregas|
|Costume Construction||Elisa Echegaray and "La Vinya" Comediants Workshop equipment|
|Construction of Scenery||Alberto Pastor, Sant Cugat Scenery Workshop and "La Vinya" Comediants Workshop equipment|
|Cnstruction of Masks||Lluís Traveria, Clap realitzacions, SL|
|Executive Producer||Núria Juncà|
|Producer of Comediants||Isabel Juncà|
|Dissemination and Communication||Pilar Caballero, A portada|
Co-producers: Chekhov International Theatre Festival (Moscow), National Drama Centre (CDN), María Guerrero Theatre, Lliure Theatre, Fabià Puigserver Hall, Comediants - La Vinya Collaborators: Sant Cugat Theatre-Auditori, Teatre Joventut de l'Hospitalet, Festival de la Porta Ferrada Sant Feliu de Guíxols Our great thanks to professor Joan B.G. Seguí́ espesial for his advice in our studding classical Greek mythology and the goddess Persephone image espesially. It's dedicated to our friend and teacher, constructor Lluís Traveria
With Persefone’s help we shall see the procession of characters, actions and situations that will demonstrate various customs, creeds, myths and legends related to death. With a certain touch of irony we shall watch our civilization being on the one hand obsessed with the hope to make life longer, and on the other engages in overkill practices and want to know nothing about death for this subject is a taboo/
This subject is complicated and delicate and therefore we suggest poetry as the language for the discourse with our audiences. The poetics in our performance incorporates irony and poignant humor, music and even elements of surrealism.
However the styles and techniques employed in the performance are not limited to the joyful and entertaining manner of a variety show. This is further enhanced and supplemented by gibe, sarcasm and critical attitudes that typify the cabaret theatre. It is the performance of masks in the style of The Comediants, a spectacular musical blending together drama and dance. The characters extensively use masks, vocal, dance, dialogues, elements of Commedia dell’arte, the interplay of objects and transformations.
Structurally the performance is divided into scenes, each of them having its own distinctive scenic concept, musical score, specific acting techniques – and all these with the purpose of visualizing the irrationally created world, which is further enhanced and underscored by the transformable backdrop. This backdrop closes up and opens by turns enabling the actors to show up and vanish and transforming alternatively into a huge projection screen, a colorful curtain or the “black-box” where only Death can dwell in.